![]() ![]() The sampled sounds are strong, reasonably complete in terms of range, and the polyphony is good. I find the Proteus' directness and simplicity most welcome in a MIDI studio situation, when faffing around is all too often the disorder of the day. So does the world, after this lengthy, though highly popular relationship with the Proteus platform, really need something called UltraProteus?Ĭards on the table: I am a Proteus user (yes, I know, there are clinics I could go to, or pads I could stick behind my ears, but there we are). The Proteus begat Proteus 2, which begat Proteus 3, and so on, down a long line of more distantly related products including the Proformance, the Procussion, Vintage Keys, and the Morpheus. Julian Colbeck checks out this impressive multitimbral module. No further need to imagine it's here, in the form of the new UltraProteus. Imagine a synth which is a cross between the best of Emu's Proteus and Proformance modules, and also includes the Z‑plane filters of the Morpheus. ![]()
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